Inv. no. 50/1966
Published in:
Catalogue of the International exhibition of Persian art at the Royal Academy of Arts, 3. ed. Royal Academy of Arts, London 1931, p. 111, cat.no. 172C;
Arthur Upham Pope and Phyllis Ackerman (eds.): A survey of Persian art: from prehistoric times to the present, London 1938-39, vol. 5, pl. 642 and vol. 2, p. 1555, note 2;
Hotel Drout, Paris, June 28, 1950, lot 44;
Bernard Rackham: Islamic pottery and Italian maiolica: illustrated catalogue of a private collection, London 1959, cat.no. 13, p. 9 og pl. 8;
Henry Corbin [et al.]: Les arts de l'Iran, l'ancienne Perse et Bagdad, Bibliothèque Nationale, Paris 1938, p. 200, cat.no. 223 (no photo);
C .L. Davids Samling. Fjerde Del : Jubilæumsskrift 1945-70, København 1970, cat.no. 4, p. 197;
Adalbert Klein [et al.]: Islamische Keramik, Hetjens-Museum, Düsseldorf 1973, cat.no. 113;
André Leth: Davids Samling. Islamisk kunst = The David Collection. Islamic Art, København 1975, pp. 43-44;
The arts of Islam : Hayward gallery, 8 April - 4 July 1976, London 1976, cat.no. 344;
Kjeld von Folsach: Davids Samling gennem 24 år, 1962-1985 = The David Collection: a 24-year period: 1962-1985, København 1985, pp. 52-53;
Oliver Watson: Persian lustre ware, London 1985, figs. 11a-b, p. 49;
Art from the World of Islam. 8th-18th century, Louisiana, Humlebæk 1987, cat.no. 75;
Kjeld von Folsach: Islamic art. The David Collection, Copenhagen 1990, cat.no. 97;
Kjeld von Folsach, Torben Lundbæk and Peder Mortensen (eds.): Sultan, Shah and Great Mughal: the history and culture of the Islamic world, The National Museum, Copenhagen 1996, cat.no. 273;
Christian Heck [et al.]: Moyen age: Chrétienté et islam, Paris 1996, p. 489;
Kjeld von Folsach: Art from the World of Islam in The David Collection, Copenhagen 2001, cat.no. 151;
Baer, Eva: “Muslim teaching institutions and their visual reflections: the kuttâb”, Der Islam, 2001, 78:1, fig. 2 and pp. 75 and 77-78;
Sheila S. Blair and Jonathan M. Bloom (eds.): Cosmophilia. Islamic Art from the David Collection, Copenhagen, McMullen Museum of Art, Boston College, Boston 2006. cat.no. 2;
Sheila p. Blair: “Review of C. Sirat: Writing as handwork, Turnhout 2006” in Bulletin of the School of Oriental and African Studies, 70:2, 2007, p. 417;
Konrad Hirschler: The written word in the medieval Arabic lands: a social and cultural history of reading practices, Edinburgh 2012, pls. 8 and 8a-c;
Eric Vallet, Sandra Aube and Thierry Kouamé (eds.): Lumières de la sagesse: écoles médiévales d’Orient et d’Occident, Institut du monde arabe, Paris 2013, p. xix;
Sheila R. Canby [et al.]: Court and cosmos: the great age of the Seljuqs, Metropolitan Museum of Art, New York, New Haven 2016, cat.no. 173, p. 272;
Sheila Blair and Jonathan Bloom (eds.): By the pen and what they write: writing in Islamic art and architecture, New Haven 2017, fig. 96, p. 124;
Sonja Brentjes: Teaching and learning the sciences in Islamicate societies, 800-1700, Turnhout 2018, p. 48;
Yves Porter: Under the adorned dome: four essays on the arts of Iran and India: Ehsan Yarshater lecture series, Leiden 2023, fig. 2.39, pp. 84, 86;
