Inv. no. 4/1996
Published in:
J. von Hammer-Purgstall: "Miroirs arabes de la Collection de M. l'abbé Tersan à Paris," Fundgruben des Orients, 2, 1811, p. 100 og ill.;
J. T. Reinaud: Explication de cinq médailles des anciens rois musulmans du Bengale, Paris 1823, pp. 30-34;
J. T. Reinaud: Monumens arabes, persans et turcs, du cabinet de M. le duc de Blacas et d'autres cabinets considérés et décrits d'après leurs rapports avec les croyances, les mœurs et l'histoire des nations musulmanes, vol. 2, Paris 1828, pp. 404-420, pl. 10;
Michelangelo Lanci: Trattato delle simboliche rappresentanze arabiche a dalla varia generazione de'musulmani caratteri sopra dfferenti materie operati, Parigi 1845-1846, vol. 1, p. 83 og vol. 3, pl. vii;
Josef von Karabacek: “Zur orientalischen Altertumskunde. I. Sarazenische Wappen,” Sitzungsberichte der Kais. Akademie der Wissenschaften in Wien, 157:1,1907, p. 22-23;
Max van Berchem and Josef Strzygowski: Amida. materiaux pour lépigraphie et l’histoire musulmanes du Diyar-Bekr, Heidelberg 1910, p. 96
F. Sarre and F.R. Martin (ed.) Die Ausstellung von Meisterwerken muhammedanischer Kunst in München 1910, London 1985, pl. 140, cat. 3074;
Fritz Saxl: “Beiträge zu einer Geschichte der Planetendarstellungen im Orient und im Okzident,” Der Islam, 3:1/2, 1912, fig. 13, p. 174, pl. 7, cat. 6;
Gaston Migeon: Manuel d'art musulman, bd. 1, Paris 1927, pp. 393-394 (with wrong ill.);
E. Bräunlich: “Drei islamische Bronzespiegel,” Islamica, 5, 1931, pp. 133-164;
E. Combe, J. Sauvaget and G. Wiet: Répertoire chronologique d'épigraphie arabe, bd. 12, Cairo 1943, p. 67, cat. 4491 (owners name wrong);
D. Storm Rice: "A Seljuq Mirror," i First International Congress of Turkish Arts, Ankara 1959, p. 289;
Ernst Kühnel: Islamische Kleinkunst, 2. ed., Braunschweig 1963, fig. 131, p. 170;
Ernst J. Grube: The World of Islam, London 1966, fig. 49, p. 97;
Dominique Sourdel and Janine Sourdel-Thomine: La civilisation de l'Islam classique, Paris 1976, fig. 204, p. 630;
William F. Spengler and Wayne G. Sayles: Turkoman Figural Bronze Coins and their Iconography. Bd. 1, The Artuqids, Lodi 1992, pp. 120-121;
An Exhibition of Medieval Renaissance and Islamic Works of Art at Newhouse Galleries, Trinity Fine Art, London 1995, pp. 8-11, cat. 2;
Richard Ettinghausen, Oleg Grabar and Marilyn Jenkins-Madina: Islamic Art and Architecture 650-1250, 2. udg., New Haven 2001, fig. 399, pp. 244-245;
Kjeld von Folsach: Art from the World of Islam in the David Collection, Copenhagen 2001, cat. 503;
Almut v. Gladiss (ed.): Die Dschazira. Kulturlandschaft zwischen Euphrat und Tigris, Museum für Islamische Kunst, Berlin 2006, pp. 64-65, cat. 21;
Martina Müller-Wiener: “ ‘Spiegel des Alexander und Weltenbecher’ ”. Der Spiegel des Artuq Sâh und die Attribute des idealen Herrschers,” in Marion Frenger and Martina Müller-Wieners (ed.): Von Gibraltar bis zum Ganges: Studien zur Islamischen Kunstgeschichte in memoriam Christian Ewert, Berlin 2010, fig. 46, p. 269;
Rémi Labrusse: Islamophilies. l'Europe moderne et les arts de l'Islam, Musée des Beaux-Arts, Lyon 2011, fig. 49, p. 108;
David Ekserdjian (ed.): Bronze, Royal Academy of Arts, London 2012, pp. 159, 264, 281, cat. 66;
Mentioned in Yuka Kadoi: “Translating from jing to Mir’ât / Â’īna: Medieval Islamic Mirrors Revisited,” Art in Translation, 5:2, 2013, p. 254;
Sheila R. Canby et al.: Court and Cosmos. The Great Age of the Seljuqs, Metropolitan Museum of Art, New York 2016, p. 57, cat. 7;
Kjeld von Folsach and Joachim Meyer: The Human Figure in Islamic Art. Holy Men, Princes and Commoners, The David Collection, Copenhagen 2017, cat. 15;
Christiane Gruber (ed.): The Moon. A Voyage Through Time, Aga Khan Museum, Toronto 2019, fig. 10, p. 33;
Ayben Kayin: “Selçuklu Sanatında Gezegen ve Burç Tasvirlerinde Müzik ve Dans,” Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi, 49, 2020, fig. 14-15, pp. 505-506;
Ebba Koch: The Planetary King. Humayun Padshah, Inventor and Visionary on the Mughal Throne. Ahmedabad 2022, fig. 55, pp. 112-113;
